NEW PUBLICATIONS : Poetic and Travel – September Equinox 2020

Indeed, my poetry and travel writing continue to appear in journals and on websites around the world – in Spain, the UK, the US, Ireland and Nigeria.

In the realm of travel narrative – I have been continuing to examine the topic of how post COVID-19 travel will be and proposing different kinds of adventures we can embark on!

Spend this September equinox browsing through the list (with links) below, poetically journeying to Chile’s Patagonia, Mexico, Colombia, Peru, Ecuador, Argentina’s Patagonia, Venezuela, Nicaragua, Guatemala, the Galápagos Islands, Buenos Aires … and lands within & beyond …

…. and until we next meet …..

Safe Journeys!

Quito, Ecuador, Panecillo, Virgin

The wingéd Virgin (Pachamama) atop Yavirac – a.k.a. El Panecillo – the subject of one of my freshly pressed poems! photo © Lorraine Caputo

NEW LITERARY EXPRESSIONS

“Trilogía” in Bajo Otros Cielos (España/Spain) (June 2020)

“Aztec Phoenix,” “Sacred,” “Narihualá,” “Chan Chan” and “Templo de los Jaguares” in The Writer’s Café Magazine – Can You Dig It? (Ruins) (UK) (Issue 19, June 2020)

“At Blue Beach” and “Sounds of Silence” in Crêpe & Penn (Issue 8)

“Cueva de las Manos” in Silver Birch Press – Landmarks series (3 July 2020)

“Watchtower” and “Pincers” in Cavalcade of Stars (6 July 2020)

“Hushed Dreams;” “Caribbean Nocturne,” “On a Full Moon Night” and “Pastors” in The Blue Nib (Ireland) (23 July 2020)

“At the Water’s Edge” and “New Moon (Galapagos)” in Verse-Virtual (August 2020)

Chile Chico,” “Salango” and “Yaviracin Voices on the Wind – Voices on History (volume 82, August 2020)

“Anochecer Bogotano” in Bajo Otros Cielos (España/Spain) (August 2020)

“Time to Feast” in The Raconteur Review (August 2020)

“Denouncing the Violence of the Past” in Halfway Down the Stairs (September 2020)

“Mexican Murals – Puerto Escondido” and “These Hands” in Praxis Magazine (Nigeria) (4 September 2020)

“León” in Poetry & Places (4 September 2020)

“When We Grew Up,” “Spring Storms” and “Lanterns” in The BeZine (Volume 7, Issue 4 – September 2020)

“Recoleta” in Poetry & Places (17 September 2020)

Peru, Zorritos, beach, playa, ocean, sea

This beach in northern Peru is a-callin’ my name for a post-pandemic escape. photo © Lorraine Caputo

NEW TRAVEL EXPRESSIONS

South America Buses

South America’s Beaches: Escape the Pandemic Blues

Latin Bus

Bicycling in South America: A Travel Solution in the Pandemic Era

Now Available! ¡Disponible Ahora!

Me voy de casa (Wanderful Quito / Yo Viajo Sola, 2020) — colaboradora

Todo lo necesario para planificar un viaje, y para ayudarnos durante la travesía – más consejos de viajeras (¡incluyendo de mí!).

¡El regalo perfecto para las viajeras que conozcas!

guía, viajes, mujeres, travel, guide, women

Me voy de casa (Wanderful Quito / Yo Viajo Sola, 2020)

If you are in need of an article for your publication or website, a translation – or your dissertation, book or article proofread / edited, please feel free to contact me. I am also available to participate in literary events.

NEW PUBLICATIONS : Poetic and Travel – December Solstice 2019

Indeed, my poetry and travel writing continue to appear in journals and on websites around the world – and a new chapbook collection of my poetry!

 

Spend this December solstice browsing through the list (with links) below, poetically journeying to the U.S., Mexico, Cuba, Costa Rica, Ecuador, Peru, Bolivia and Argentina – and in my new poetry chapbook, to Chile, Central and South America, Ecuador, Peru, Colombia and the Galapagos Islands.

 

In the realm of travel narrative – get the low-down on passenger trains in South America, and follow the Rebel Trail in Argentina and Bolivia, of some of the most-renowned renegades of the 20th Century: Butch Cassidy and the Sundance Kid, and Che Guevara.

 

…. and until we next meet …..

 

Safe Journeys!

 

Beach, sea, Peru

Solitary Shores in Yacila, Peru. photo © Lorraine Caputo

 

NEW LITERARY EXPRESSIONS

“Jungle Dawn” in Chiron Review (issue #116, Summer 2019)

“Flight” in the Aurorean (Fall / Winter 2019-2020)

“Spirit Suite—Étude Nº 17” in The Writer’s Café Magazine (Issue 17, “Masks,” November 2019)

“Saint Dancing” in The Raven Review (inaugural issue, November 2019)

“Rising” in Wend Poetry (Issue 2, December 2019)

“On the Wings of Crows” in River Poets Journal – theme: A Fork in the Road (Volume 13, Issue 1, 2019)

“On the Radio … Replay,” “Santa Bárbara Bendita (fragmentos),” “Solitary Shores,” “The Blind Busker” and “Fugue” – plus 2 photos in Scarlet Leaf Review (November 2019)

“Homeward” and “Midnight Navidad” in North Dakota Quarterly (issue 86.3 / 4, November 2019)

 

And … a very special edition of my eco-feminism poetry …

FIRE & WATER – Red Mare #18 (Pink House, 2019)

Limited edition – hand made

poetry, environment, ecological, feminism

FIRE & WATER – Red Mare #18 by Lorraine Caputo (Pink House, 2019)

 

 

 

Argentina, passenger, train

The train that makes the run from Roque Sáenz Peña to Chorotis, in Argentina’s Chaco Province. photo © Lorraine Caputo

 

NEW TRAVEL EXPRESSIONS

 

Nicole Buzzing

Riding the Rails in South America: Getting Around the Continent by Train

 

AndesTransit

The South American Trails of Butch Cassidy & the Sundance Kid, and Ernesto “Che” Guevara

 

 

If you are in need of an article for your publication or website, a translation – or your dissertation, book or article proofread / edited, please feel free to contact me. I am also available to participate in literary events.

PATIENCE

Traveling deep in the Peruvian mountains. photo Lorraine Caputo

About 12:17 p.m. / still Cajabamba, Peru

Well, this combi I am on that was supposed to leave at 11 or 11:30 (Which sir? I had asked the driver—Oh, 11:30, he’d assured me) still has not left. He just told a couple they would have enough time to go have lunch (ahem).  Several other passengers have demanded their money back. 

But the price is right—four soles, instead of the five other companies are charging.  However I can save a bit here and there.  And, well, we should get to Huamachuco within three hours, or about three-thirty.  That’ll give me enough time to really scout around for the cheapest hospedaje.  Ay, the challenge, the joys of long-term traveling when your money’s running out! 

I take a break from my scribbling, three lines per space to save paper.  I walk around to the side of the microbus, shoving my notebook into my shoulder bag.  In the shade of the building, I take a drink to cool the heat of this growing day.

The driver’s assistant is stuffing a bag into the already jammed boot of the combi.  After shouldering the hood closed, José joins me on the sidewalk.  The smoke of his just-lit cigarette drifts past his dark, tired features.

“Already a long day, eh?” I say as I take his offered cigarette.

“Yeh.”  His dirty fingers shake the match flame out.  He drops it to the ground.

Our conversation wends to the trip we are about to take.  What Huamachuco is like, where would be a good, cómodo place to stay.  He looks young.  “How old are you?”  I watch his eyes watching the bustle of still-boarding passengers.

“Oh, seventeen.”

I would have guessed him to be younger.  But his hands are scarred and nicked.  Pale blood oozes slowly from a fresh cut.  “How old were you when you began working?”

José takes a drag from his cigarette.  The ash falls at his feet.  “Ten years old.”

I raise my eyebrows.  “Did you get a chance to finish school?”

“No, not even primary school.  I don’t think I will ever get a chance to finish.”

A short, thin man stumbles up to us, under the weight of a heavy bundle.  José stubs his cigarette out with his tire-soled sandal.  Dust billows, coating his gnarled feet.

I had better get back inside, before my seat is taken.  As I climb aboard, I see José’s face peer over the top of the microbus.  He gives me a slight smile and a quick wave of the hand.

Hmmm—we’re getting mighty full here.  People are arguing with the ticket seller about which seats are already sold.  The few ones left are given to women.  The only passengers that are standing are men.  I guess chivalry is still alive and well here.

So, how many people can fit into a Peruvian combi?

           

The motor starts up.  I pull my watch out of my pocket.  It is now nearly one p.m.  And still the arguments.  Jam the passengers in, rake the money in.

Just as we are pulling out, a mob comes running, waving for the microbus to wait.  Up the side ladder they climb.  Thick, tough toes, cracked heels flash by my window.  Now we have six—no seven, eight, nine, ten—here comes number eleven atop.

We rock down the road out of this town deep in the highlands.  Eucalyptus forests scent the early afternoon.  Adobe homes of rich beige, gold, lava-red melt into the earth.  They are plastered with mud mixed with straw that glistens in the sunlight.

In the warmth of that star through my window, I nod to sleep.

About 1:30 p.m. / who knows where

And I am awakened by the sudden stop of our combi. We are in front of a half-dozen or so houses.  In their yards chickens peck around drying roof tiles.  Round adobe kilns hunch like beehives.  A donkey brays.

Every one is ordered off.  A few, though, stay on board, like that young mother with her infant wrapped in a soft-yellow crocheted blanket.

The driver and his assistant crawl beneath.  The call for this wrench and that socket echoes up through the labyrinth of the chassis.  Stones crunch beneath the weight of the transmission as it hits the ground.

After fifteen minutes I reboard to escape the blazing sun.

Out the streak-glared windows, I see other transports sway down the road.  A large truck stops.  Many of our passengers make a dash for it and leave in a cloud of dust.

From outside I hear others talking with the driver.  Leaning against the side of the microbus, wiping his hands with a tattered rag, he says, “Oh, it’ll be about a half-hour.”

Some one responds, “One and a half hours?”

“No, no,” the driver assures him.  “No more than an hour.”

Oh, well, we’ll see how this goes.  The first rule of traveling, whether on a journey or through life, is patience, patience.  You get there when you get there.

The young mother comes up and watches me write.  Quiet María says she is sixteen years old.  She sits on the seat across the aisle and pulls up her shirt.  A bright blue cardigan hangs off her shoulders.  María’s eighteen-month-old daughter takes the offered breast.  The child’s frowning face is plastered with wild hair.  She coughs often and loosely.  A high-crowned hat shadows her mother’s already furrowed brow.

A fire slowly chars a distant mountainside.  Its smoke reaches for the low clouds drifting by.  A gust of wind whips up dry eucalyptus leaves, silvering the sky.  A yellow plastic bag sails away.

Now those men underneath are draining the casing.  One soda bottle is already filled with dull oil.  Another bottle, still filled with soft drink, is passed around until it is empty.  It gets handed beneath.  The grey-filmed lubricant swirls into the container.

The driver calls out, “I need a 22 wrench.”

His assistant digs around the tools left below, then madly runs inside the combi and rummages in the toolbox.  “Damn,” José mutters softly.  He leans out the window.  “I can’t find any 22 wrench.

2:26 p.m.

A while ago the ticket man swore to everyone all would be set to leave at 3 p.m.—and he took off back to Cajabamba to buy a part.

Down at one house sunk into the earth, people drink chicha. They sit on muddied-in benches under the overhang or on the embankment in front.  A woman brings out a pitcher.  When it is empty, she takes it back inside to refill.  The fermented corn smell hangs in the air.

A man walks up to the front door and calls in, “Give me some of that chicha, María.”

(Every woman seems to be named María.)

Another truck comes along.  Most of our passengers run for it.  Some are demanding their money back.  The driver passes his greasy fingers through his black hair.  “Please wait.  Patience, have patience.”

We are now only perhaps twenty-five.

A discussion ensues between that man and two others.

One señor smiles, “Didn’t you have any idea it was in bad repair?”

The second ones barks a laugh, “Why, why are you running a vehicle in such bad shape?”

Our driver smiles.  The sun catches on his gold caps.  “Well, my father thought something might be wrong.  But surely it could make it.”

The first laughs, “Thought something was wrong, but still jammed so many people on and left Cajabamba?”  He shakes his head.

The chauffeur shrugs with a broad grin.  “Well, he didn’t know.  It’s just one of those things of God.”  He laughs.

The two passengers turn away, laughing and mumbling, “Just one of those things of God.”

The only people seemingly unabashed by all of this are the young couple.  In the yard of the last house of the settlement, just out of sight, they embrace and kiss.  The quilt wrinkles beneath their passion.  Their radio is turned down low.

On one trip outside with more chicha, I step up to María.  I ask in a low voice where there might be a latrina.  She leads me around the side of her golden-adobe home and points to a wooden shed out beyond. As I climb back up the slope, I see a man and woman lay trapezoid-shaped roof tiles to dry behind the next house.

I walk back up to the combi.  A soft breeze now and again cools the strong sun of these high mountains.  Up on one hillside, families picnic in whatever shade they can find—at the side of a house, under thin trees, or near flowering and fruiting nopales.  Twin braids sway with their movements as they pass food and drink from covered baskets.  Little girls, their faces covered with juice, clutch chunks of orange-colored papaya.

I’ve got to remember to bring along more food, even if it’s going to be a short trip.  You never know what will happen.  Hadn’t I learned that rule of traveling before? 

Before all of this happened with the combi breaking down, I’d already eaten the last of my cheese.  I have no bread.  The raisins are gone, too.

Other passengers have come inside this microbus.  Some stretch out across seats to nap.  The young María is still here, holding her coughing baby.  She wipes sweat from the small, feverish forehead.  Her daughter momentarily awakens, her small wool-stockinged legs kicking mama’s teal-green skirt.  The driver tells José to go inside and put some music on.  Soon a huayno whines, winds through our boredom.

Another truck comes along.  A few more stranded travelers climb up the high stockade sides.  I ask the man next to me how much passage would be.

“Oh, five soles, or perhaps four.”

I shake my head, “I can’t afford to pay twice for passage.  I don’t have the money.”

“Yes,” he responds, “those without have to wait and have patience.”

just about 3 p.m., if not just past

One man sits on a roadside-ditch embankment.  One work-thickened hand embraces the primitive woman painted on a gourd.  He dips a short rod into it. The worn cuffs of his turquoise sweater brush his knuckles.  He puts the alkali into his mouth.  The foam of chewed coca leaves green his lips.  His eyes are as bright as that sun, hidden now by clouds.

In the dense shade of one house, our driver sits down, joining a few of the passengers there.  One woman’s many-layered skirts fan out upon the ground.  She pulls up her knee socks.  Two men walk up to them.

“Look,” the driver responds to their demands, “he’s gone to Cajabamba for the part.  He’ll return.”

“Oh, yeh,” one señor says. “He’s in Cajabamba getting his rocks off.”  He grabs his crotch.

The other man begins to tell a tale.  “Once I was on a similar bus.  Patience, patience, we were told.  It took eight days.”  He shakes his head with a broad grin.

The discussion becomes heated amongst forced smiles and laughs.  Our driver holds up an Inca Cola bottle half-full of chicha.  “Here, drink, drink.”

“No,” the first man says firmly, still grinning.  “Look, my fare, my fare.”

The protester takes a swig.  A man lounging next to the driver reaches for his alkali gourd.  He glances over to me as I walk up to this group, pulling out my watch.

“It’s about two minutes to three.”  I lightly smile.  Ah, the adventures of traveling.

“Patience, patience, woman,” the driver tells me.

“And how much patience am I supposed to have?”  Still grinning, I put my watch back into its pocket. “The ticket seller said we were to leave at 11:30 a.m., and we didn’t leave until almost one.”  I shake my head with a quiet laugh.  We get there when we get there.

The driver peers towards the distant road.  Everyone, too, looks that way.  “Oh, I thought I saw something coming,” he says, relaxing against the wall.  More tight laughs and smiles, more mumbles, “Yeh, sure.”

Part of the chicha gang approaches us.  “We’re going up over the hill to a store on the other side for more chicha.  Be sure to stop and pick us up.”

The driver tightens his jaw.  “What, we’re supposed to be responsible for you?  How do we know you were on the bus?”

One of the men bends over him, looking him in the eye with a hard smile.  “Take a good look at us, and remember to blow the horn when you pass.”

The threesome walks up over the crest and beyond.  The lone woman’s full blue skirts and magenta cardigan bounce with each step through the dry grasses.

Across the road, near where the couple still lies, two hairy black pigs have awakened from their nap.  Their young snouts rout dry leaves.

about 3:30 p.m.

The ticket seller has finally arrived in a transport van.  A light sprinkle is beginning to fall as repair resumes on the transmission.  The tools lightly rattle as they are passed from one hand to another, or laid back on the ground.  Occasionally a groan of exertion echoes up through the chassis.

That turquoise-sweatered man again is dipping into his lady gourd.  His sharp-chiseled jaw grinds the coca leaves.  His high-crowned hat is pulled up, revealing those wild eyes.  Burning eyes.

The fire continues consuming that mountainside over yonder.

4 p.m.

The order is given.  We board, much fewer now in number.  The couple emerges from the shadows of that house, brushing brittle grass from their clothes and quilt.  The coca-chewer wanders down that way to urinate on a prickly pear cactus.  We all hurriedly take out places.  The seat next to me is now empty.  My former mate had left on another combi.  As we pass the last house of this settlement, a chickens scatter at the dust and pebbles our tires throw up.  A burro brays.

We climb the hill, the motor groaning and gears grinding, and stop at the store atop.  The chicha trio is there, standing out front with a woman and drinking.  A serving is poured for the driver and passed through his window.  He downs it.

Now the orange-colored plastic pitcher is making its rounds through this interior, from one passenger’s mouth to the next.  I think I’ll pass on this part of the adventure.  It’s amazing that it’s lasted this long.  Whoops, I spoke too soon.  There it goes back out to be refilled.

A man calls out to the vendoress, “Bring me a blonde, bring me a blonde.”

The woman shakes her head.  Her single thick black braid swings from side to side.

“What, no blondes,” he says leaning out his window.  One hand pounds the side of the microbus, punctuating his desire.  “I’m so tired of brunettes!”  He laughs.  The reemerging sunlight catches on his gold-trimmed teeth.  His wife swats lightly at his elbow and turns away.

We continue on to Huamachuco, the sun setting lower towards the cragged horizon.  Passengers get off and come on.  Young José climbs atop, throwing down heavy bundles.

Each time, that man is off, searching for more chicha, in search of an elusive blonde.  The driver, his assistant, we all call after him to return.  His wife chases him from store to bar.

And so it has been with that guy until we finally reached here, San Marcos, just before sunset.  After those last packages for this destination are down-loaded by José, we’ll be able to leave this roadside restaurant where we’ve made a late-dinner rest stop.  Chilled dusk has almost completely fallen.  I’ll have to make this quick, as I’m writing by the light of the street lamp.

He has sunk into a deep-snoring sleep.  His wife looks quite a bit relieved.  Hopefully he won’t wake up at each and every stop and hold us up any further.  I’m sure I won’t be the only one who will be pleased.  Yep, a señora just smiled as she walked by them.

San Marcos—about half-ways to Huamachuco.  I suppose it won’t be until almost seven by the time we get there.  So much for well-laid plans.  I just hope I can find a place to stay tonight and that it won’t cost too much.  There’ll be quite a few of us looking for a room.

Dang, my light is just about gone.

Oh, well, patience, patience.  We get there when we get there.

published in:

Lowestoft Chronicle (issue 6, June 2011)

republished in:

Far Flung and Foreign  (Lowestoft Chronicle Press, 2012)



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Return to the Roof of the World : Journeys Through the Northern Peruvian Andes

HALF-WAY ON DEATH AND BACK

train, Bolivia

Eastern Bolivia, showing the rail lines from Santa Cruz to the Brazilian border. San José de Chiquitos, my weekend destination, lies midways.

Saturday 10 October 1998

Santa Cruz de la Sierra, Bolivia

“Psst, ma’am.”

A man approaches me. He is dressed in beige pants and an off-white, maroon-trimmed sports shirt. His short, black hair gleams in the sun. “There are no more tickets for today’s train,” this scalper tells me. “Where are you going? I can give you a ticket for 30 bolivianos.”

In this early afternoon, I have arrived at the modern station on the east side of town. I ignore his offer and enter the station to wait. The ticket window will open at 2:30 p.m. I know the fare to San José de Chiquitos is only 18 bolivianos.

This is a three-day holiday weekend. Monday is Día de la Raza (or, as it is known in other latitudes, Columbus Day). I have decided to ride the infamous Death Train that goes to Puerto Quijarro on the Bolivian-Brazilian border. Over the years, several Bolivian friends have told me about this train: a monotonous, hot, mosquito-plagued trip through the jungle. Second class rides in over-crowded, claustrophobic box cars, or atop them.

But I shan’t go as far as the border – only as far as San José de Chiquitos, one of the old Jesuit missions. You see, I’m short on money until my stint at a school begins after the holidays … so short that I had to give up my room until Monday at a cheap alojamiento. Taking the train for the weekend is cheaper than paying rent.

A family also waits, hoping to take a weekend outing to San José de Chiquitos – which is obvious in their dress. All – husband, wife, her sister and two children, in various builds of overweightness – are dressed in shorts. A cooler and jug stack next to them: foods for this trip.

The wind through the open trestle roof sounds like a train pulling up. And amidst this wind, the train does pull up: a small orange locomotive with eight clean, shiny green and white cars. The line that had long begun to form at the gate begins pushing onto the platform and into the cars.

In this line, we talk of how the scalpers are allowed to be selling tickets like they do. The immigration man says they’ve tried to stop it.

At 2:30 p.m., Brazilian music begins filling this cavernous space. A man shines the floor with a push sponge mop.

At 3:00 p.m., the ticket window opens. But there are no tickets.

A short campesino pushes his battered straw hat up over his short bristled hair. His blue work shirt and half-buttoned-up blue pants are messy and lived in. “Go talk with the conductor. Buy the ticket aboard,” he says. The ticket seller agrees, “Talk with the conductor.”

I go to the gate. That campesino continues to follow me, wandering through the bureaucracy, putting in words of support for me. He tells me in a low voice, “He’s in the office … There, he’s on the platform. They’ll charge more, 29.50.”

“But, sir, the passage is 18. I can’t afford …”

“Talk with the conductor when he comes through.”

 

Mennonites have boarded in the last car for San José, second class, the men in their blue-jean overalls. I ascend into this clean, well-maintained car and grab a seat by and the window in hopes … in hopes … And begin writing this piece.

And bit by bit, I am scooted from one place to another in this group. Amidst the last rush of passengers and the slow roll away, I am without a seat.

We depart, into the bright sun and unclear, heat-hazed blue sky. A freight car is hooked behind the locomotive and the smaller passenger bodega car where the poor voyagers ride. We squeal along the tracks, past the long grasses bent by the wind.

Vendors stroll by. A man with watches and pocket calculators. A woman with a bucket over one arm, with bags of cookies. Another woman, chicha, chichia fría, in a green bucket. A man, newspapers under the crook of his arm.

We clunk past the cars stopped, past the homes where children wave, where in one yard a black and tan dog barks. And past more traffic. The train suddenly jolts with a hiss of brakes. A few more journeyers board. A newspaper-wrapped bouquet is placed gently overhead.

And on again … Two bare-butt, pot-bellied children jump up and down in their yard. Multi-colored laundry flaps on barbed-wire and chain link. Off on the edge of a field, tarp roofs of make-shift homes sail. Through countryside of dense brush, palm trees, of garzas flocking up from grazing cows. Treed track-side swamps. Our windows are open to that wind.

Yogurt, Yogurt, a man calls, walking by, tray across arm.

We click past Cotoca station without stopping. In vain, a woman hustles up the platform, bag in hand. The passengers around me look at her. “Yep, the same one who tried to wave it down in Santa Cruz. She knows the train leaves four o’clock sharp,” the man next to me says. He pulls his white ball cap over his brow and settles again in his seat. He crosses his dark arms across his white shirt. Across from that station, in a yard, music plays in a white and yellow balloon-decorated yard.

Refresco, refresco de piña frío, a tight-skirted woman calls.  A red bucket hangs over her arm. That wind whips dust from dirt roads, blowing it into these open windows. A man enters our car, a silvered tray in arm. It is decorated with a bottle of ketchup and another of mustard for those red hot dogs lying in buns.

I lean against the wall of the vestibule, placed half-ways down the length of this car. I sketch the floor plan. Bench seats facing one another. On one side, they are large enough for two and on the other, for three. On the opposite aisle, a young man has his leg up, his high-cheek-boned face, his almond eyes painted with pain.

In a plowed field, the powdery soil clings to tractor tracks. The dirt blows into this car. We go over a long bridge spanning a sandy river. Off in one shallow, a brother swings a boy. We continue over thick jungle, then back through farmland. We bounce and rattle and bucking, slowing for El Pailón. Along this village’s earthen streets and swamps laced with railroad tracks are simple homes.  In front of some, used clothes are displayed on blankets.

Mother holds that son’s ankle, the ankle of that son’s wounded leg. He briefly looks into her almond eyes and then away, eyelids fluttering in desired escape from the pulsating nerve.

A newspaper passes from reader to reader.

And here comes the conductor collecting fares in this crowded mid-car vestibule. I hope for the best … and score a ticket for 19.50 bolivianos. No seat – but I do have a ticket to ride this Death Train!

A bit later on, a man came by, ticket in hand, looking for his seat. We are only more than an hour and a half out of Santa Cruz.

Just dust and wind and dense brush, large farms plowed and fallow. Monstrous silos. Just the bouncing, bucking, jolting into the falling twilight. Golden sunlight for a moment touching leaves. Then fading, fading. The sunset behind us. Pale magenta bleeding across the haze. The ceiling lights flicker like a strobe in this darkness gathering inside. Just mile upon monotonous kilometer.

The newspaper has made its way to that young man with his left leg extended. He leans against the window, cushioned by a blanket, and reads until the light disappears.

A Mennonite man opens the fuse box door. He checks for loose wires, then declares in his Plattdeutsch-lilted Spanish, “It must be a weak battery.” He returns to the rear portion on this side of the vestibule of this car.

I comment to the fashionable woman across from me, “It’s almost like a disco. We’re only missing the music.” She laughs, her thick jowls wiggling. Passing a hand with deep-red lacquered fingernails through her permed, reddish hair. The flickering light plays across her designer glasses.

A railroad worker excuses his way to that control box. The lights brighten and steady. Outside complete blackness blanket the same miles.

But as soon as the worker leaves, the lights quit. He returns and brings them back up …. but they die. I’m writing by flashlight. Eventually we are left in complete blackness.

Sleep begins nipping at my mind. This darkness and so many hours of traveling this day, the heat … Others have already entered that other world. Except those asking the pollo dorado vendor, How much? Cuánto?

Near Posotera, the train slows. Frogs whoolop out in the night. Stars speckle the sky. We creep swaying past a long cargo train pulled onto another track. Once clear, we continue our sojourn across the many miles, no longer able to hear those sapos’ songs.

 

I awaken from out of my hazes at the same moment as the others do. There is absolute blackness within and without. A long village clatters by. What time is it? 9:25. I check the schedule: We should arrive at 2236 (10:36 p.m.) – yet 35 minutes from our destination. The others fall asleep. In the aisles, people bed.

I step out onto the mid-car vestibule. There people sit, drinking and smoking. The orange coals of their cigarettes glow. I return to my seat. Outside, the shrill clatter of frogs can be heard … the clunking clatter of this train. Insects hover in the yellow-white light of my hand lantern. The blackness of the night, of a waning half-moon not yet full. The air is cooler, humid. The light of the locomotive and other cars barely cut the edge of the night. Ghostly light of stars and fireflies.

 


 

Another traveler had gotten off the train when I did. We went to try to find a hotel, but there were no rooms available. All were booked by participants and spectators of a cross-country road rally that was passing through. This was a surprise to both of us – did not know it would be ….

Oh, I misspeak. There was one hotel that had a room available – at the horribly inflated price of 90 bolivianos.

We returned to station and asked the guard if we could stay there. We slept on the cool concrete of the platform.

 

train, Bolivia

The train schedule. The fares noted at the top are for the full journey to the border. The handwritten comments in the right margin are the scheduled times of the Puerto Quijarro-Santa Cruz trip. photo © Lorraine Caputo

 

11 October 1998

San José de Chiquitos

If it wasn’t for the lighter-colored day, then it was the clang of the station bell that awakened us.

In those passenger cars awaiting its train to Santa Cruz, metal shades are pulled up. Heads appear out the widows.

The red sun emerged quickly above the cut of the tracks, gleaming off the rails.

The vendors, mothers, daughters and sons, walk along that car and this platform. Café, café. Thermoses dangle from hands.

And from that distance, the horn blow of the locomotive. Bit by bit that orange engine came into view, pulling its string of cargo and baggage car, eight passenger cars.

That star climbed higher, orange to yellow. The vendors turn their attention to the new train. Café, Café. Gelatina. The engine detaches with the bodegas, switches to that side track to retrieve those two cars.

But I decide to wait until another day passes, explore the mission and this town.

The train departs, pulling the second-class cars, the first-class, a dining car, Pullmans, the special thrice-weekly La Brecha. It disappears into the distance.

I then head to the main plaza, just a few blocks away.

 


 

I sit on a bench in the partial shade of a tree, the old mission of San José de Chiquitos just across the street. Soon a priest sits next to me, also awaiting the opening of this old Jesuit church to open. We pass several hours talking about a variety of topics – the history of the first centuries of the Catholic Church, the call for a Third Vatican Council (he believes all the proposed points will be accepted, except women to be priests – even though the Church did used to allow all three points) and the reason for his “pilgrimage” to these hot jungle plains of eastern Bolivia.

He is, by training, a historical architect. He has been making the circuit of these old mission churches (reducciones), constructed in the late 17th and early 18th centuries. Of the seven that the Jesuits founded, six yet survive and are now a UNESCO World Heritage site. This, San José, is the most accessible. The others are more far-flung. He has already visited San Javier, Concepción, San Rafael and Santa Ana, all designed by the Swiss priest, Padre Martin Schmidt, as well as San Miguel. This is the last one he has to see.

 

I notice the door to the temple has opened. I excuse myself and seek escape from the sultry day within the cool, dim church.  While exploring the iconography and sketching the floor plan, I shadow falls over my page. It is the caretaker of the church – and head of the Chiriguano indigenous community. He teaches me about the history of this mission – but most importantly, current hopes of the native peoples, the projects to recuperate their traditions and their arts.

 

The day has quickly fled in conversations … I must now rush back to the station to secure my ticket for the train back to Santa Cruz.

 


 

Past 12:30 a.m.

That half-moon rises red-orange, and as it climbs, goldens to waxy white. Its light shines upon the station – white over forest green – like train cars that run along these rail lines.

The two-car ferrobus for the Brazilian border has come and gone amidst station bell clangs and locomotive horn blows.

A woman bundles beneath covers sleeps on the bench I occupied last night, the widely spaced slats cutting into her dully (as they had me).

I am ready to take my place in that car awaiting on a side track. I have my ticket, I have my place. But now I don’t have the urge to sleep as I did all afternoon, all evening.

 

A bit after 3 a.m.

I am awakened from a deep sleep by the jostling of people passing my feet, standing out in the aisle, the vendor’s calls – young boys and women. Outside the platform is full of Bolivians and Mennonite Bolivians. I resign myself to ending this sleep.

The station bell clangs its warning. In my absence, my seatmates arrive, a couple with an eight-month-old infant swathed in knit hat and sweater. They take all three places.

I walk back out to the platform. An older Mennonite woman stands near the coupling, drinking coffee and eating an empanada. I toast her with my cup. An overall-ed, straw-hatted man of her family approaches us. My Spanish won’t work with her. But, yes, they can kind of understand Hochdeutsch – like I can kind of understand their Plautdeutsch.

I hear the distant rumble of the locomotive, its headlight glowing on the eastern horizon. We hurriedly return inside. The two diesel engines hum deep next to us. They then detach from their chain and pick us up with a clang and bang. Gently we are brought into the body, another link. Again the bang, the clang, the jump back. And the gentle, slow departure through the almost-four-a.m. morning.

The gentle chug of the engines later grows quicker as we clear the edge of this former Jesuit mission, the quickening clicks, the swaying, the bouncing – the bucking of this blackened car into the moonlit night. The brush and trees silhouette against the dark grey sky.

Everyone, it   seems, has fallen asleep, except this poet writing by flashlight. The next car behind, yes, is lit. Someone walks by, stepping over the long lean body of a Mennonite asleep in the aisle.

 

I awakened to a lighter sky. The sun rises behind us, unseen. In a marsh wades an ibis. We click through miles of jungle growth, past miles of girasoles turning their faces to the sun.

A Mennonite man and I talk about the way of life, their religion and farming – and of his family. They are from a community of some 3,000 souls. They originally are from Cuahautémoc, Chichuahua, Mexico but a drought there forced them to move to Belize, then on to Bolivia where they have lived for the past 20 years or so. They have eight children, some of whom were born in Belize and others here in Bolivia. Two daughters still live at home. How many grandchildren do they have? Oh, 20 or so.

Bolivians welcome Mennonites, and are exempted from military service. This religion is known for its hard-work, building communities that have great farming success even in the most challenging of environments. Mennonites (especially the Old Order Mennonites, as the Amish are called in Spanish) are also famous for their old ways, living without modern comforts like gas engines and electricity.

And this couple dresses like traditional Mennonites from wherever. The 58-year-old, clean-shaven patriarch is dressed in dark-blue overalls and a dark olive-green, long-sleeve shirt. His clear blue eyes sparkle as we talk. His wife has a dark-blue dress with blue print, covered with a black apron. Her light-brown hair escapes from beneath a black head scarf tied under her chin. Her face is clear, her hazel eyes also lively – difficult to believe she is 57 years old.

Their community grows soy, sorghum and corn. Yes, they do use chemicals and fertilizers in the farming, as well as tractors. The only electricity they use is for work – none is in the home. Schools are taught in Hochdeutsch, though Plautdeutsch is spoken at home. All of his family, as well, speaks Spanish. He also knows English.

 

In the growing light of day, we clatter past fields studded with termite mounds. All night, a mother and daughter have occupied two seats each – while others stood, including this Mennonite man. The older woman’s face is marked with disgust at the question if he could sit down. And these two only paid for two places, not four. Cochinas, pigs, someone else says on the other side of the aisle. And once more the mother and daughter fall asleep.

We clack over a bridge spanning jungle, sandbars and a sandy river. The winds are calmer this mid-morning. We are not bathed in that fine, beige dusty soil.

In the boredom, in the growing heat of day, the youth across from me in this next group fall asleep, the young women’s heads on one another’s shoulders. The infant of large black eyes sleeps at her sleeping mother’s breast. He awakens, his large black eyes rolling in on-the-edge-of-two-worlds disorientation and flops against the other breast. The Mennonite man perches on the edge of that hog-daughter’s seat on the other side of the aisle, his arms crossed.

We enter the growing city, past a dozen geese and children running towards us. We roll into the railyard and near the station. Shoes get put back on, handbags stuffed. People on the platform look at the faces peering out windows.

The final stop with a jolt. The overhead racks empty, passengers rushing for that center vestibule.

The Mennonite man watches me writing images and lines accumulated in my mind. He wants to know what I am writing. In my desperation to capture them on the page, I beg him for a few minutes.

I am lost in images plowing from hand to hand, from hand to pen, to ink to page as we pull into the station … He had disappeared ….

 

A MISSED OPPORTUNITY —or— Tell Me How Long the Train’s Been Gone

My search for a passenger train in Guatemala left me feeling like Doña Quixote.
Don Quixote and Sancho Panza. Resistencia, Argentina (a country where I did take a number of passenger trains).
photo © Lorraine Caputo

 

Once upon a time, I almost took a train.

No, I didn’t. And for many years thereafter I have waited, patiently, for the chance again.

I am defeated—or I choose to be. Here I put the Guatemalan iron horse out to pasture.

 

How many times I’d been in Guatemala over the years and never journeyed by rail: twice the end of 1988, twice the beginning of 1992; December 1993 and March 1994; and twice the beginning of 1996.

Now I sit here many years later, trying to figure out why I didn’t take it then, or even then. Sometimes my route north or south was in the wrong direction. Sometimes I was in too much of a hurry—sometimes others were. I believe one time I didn’t want to have to face the dangers of Guatemala City’s Zona 1 streets, hotel to station, at sunrise to catch a 7 a.m. train.

(Kick, kick, kick.)

 

In early 1992, I had met two young Dutch men. They told me of taking the train to Puerto Barrios. It was running so late, those small wooden cars skip-clicking through the pouring rain. Near Amate, the trip was aborted. A bridge had washed out. A woman they met aboard took them through the already-darkened streets to her home.

Their tale piqued my desire to someday take a chapín train. Images formed in my mind of narrow rails through jungle green, into the hearts of lives shielded from the highway view, into the banana plantations.

 

In November 1993, I began another trip to Central America. I vowed to take that train. So much for good intentions.

While at Lake Atitlán, I met an Israeli couple that wanted to do the Jungle Trail: a three-hour walk from Finca Chinoq, Guatemala, to Corinto, Honduras, through plantations and swamp. But they would like to have a translator. Would I be interested in coming along?

Need I think about it? For several years I had read about this. However, I had put my dreams aside, as a woman traveling alone. There’s no question. I’d be a fool…. Yes, I will.

We finalized our plans: a middle-of-the-night bus to Guatemala City, so they could take care of some business there. Then to the ruins of Quiriguá, and the next day head into the fincas. I suggested that we take the train. No: it is too slow; it is not the right day anyways; they want to get moving.

Well, when would I get another opportunity to do the Jungle Trail? And anyways, the train will always be there.

While the couple was off mailing a package in the City, I sat on the curb of the train station parking lot watching our gear. Sometimes I glanced over to the station, to the guarded gate into the railyards. The Jungle Trail versus a train. Is there a choice? And all along our bus ride to Quiriguá, I could occasionally glimpse those tracks. The Jungle Trail versus a train. Is there a choice?

Anyways, the train will always be there.

 

Well, in March 1996, the trains stopped. Sometime that same year the station in Guatemala City burned. I would see its empty hull and charred roof while passing through the capital.

 

Why did I never take it all those years?

Because, of course, it would always be there—it would never die.

Yeh, sure. Like chivalry and knights errant.

But hope was instilled in me.

 

https://upload.wikimedia.org/wikipedia/commons/b/b1/Guatemala_rail_map_1925.jpg

The railroads of Guatemala, 1925. from Wikipedia

 

In May 1997, I wrote to Ferrocarriles de Guatemala (FEGUA) to ask about the status of passenger services in its country. Within a month, FEGUA responded:

  • Ferrocarriles de Guatemala suspended operations approximately one year ago, due to the very bad conditions of the infrastructure, for which reason the administration decided not to provide cargo nor passenger service.
  • Presently, in the course of this month [June], it will be know who the new concessionaire of the rail system will be, based on offers submitted in previous months.
  • [Such-and-such] company … in California … does excursions with steam engines approximately every year….

No, no special excursion trains. The purpose of riding the rails, of writing this book is to know the country. Not only the landscapes, but also that community that forms within the train. No, scratch number three—the community within will be foreigners, not Guatemalans.

Ah, but point two. A new concessionaire. So that means passenger service will return.

The end of that year, I hoisted my backpack Rocinante and headed into Latin America again. In February 1998, I arrived in Guatemala with a pocket full of that hope.

The stretches of rails I saw paralleling the highway from Tecún Umán on the Mexican border to Coatepeque appeared to be in good condition or under repair. Two Mormon missionaries in Ocós told me they had seen maintenance trains. But everyone I spoke with said the same thing: No, there are no passenger trains.

From Quetzaltenango I called the main office of FEGUA in the capital. Yes, a new administrator had been found, and passenger service will resume by the end of this year. There are no cargo trains running either. Rail reparations are underway.

Dang. Only about ten months too early.

For the next few months, the Guatemalan newspapers reported the struggles of the railroad to reclaim the clearance on either side of the tracks. In the less than three years since service was suspended, people had begun to build homes and businesses within that zone. Between Morales and Bananera I saw many market stalls and parking lots set up across the rails.

I guess, perhaps, Guatemalans has lost hope that the trains would ever return. I know I was beginning to—but held onto the Head of Transportation Department’s words: By the end of the year, there would be passenger service again.

Ay, and those tracks from Morales to Bananera to Quiriguá—in such horrendous condition.

 

10 March 1998 / Quiriguá

Rails heading into the banana plantation

split off just before the station

A few hundred feet down the line

a yellow & black gate blocks

with a simple word that shouts

ALTO

 

The old wooden station       faded orange & black

rain gutters rusted through

138.3 miles to Guatemala City

59.1 miles to Puerto Barrios

Part is now a funeral home

even though a sign proclaims

PROPERTY OF FEGUA

 

Four children bounce on a low

fence made of a stretch

of an old rail

 

I stop to talk with a young man

in the former ticket office

& will this once more be a station

when service begins again?

He & his friend look surprised

But in Guate they say

by the end of the year

the trains will return

The friend says

Only God knows

 

A faded old-orange wooden boxcar

rots on its rusting wheels

The rusting rail upon rotten ties

becomes buried beneath

partly burned trash

weeds & fallen leaves

dirt eroded from a landscape cut

 

My heart quickens at the thought

of finally       in the future

riding this train

 

I leave that stretch

at the turn-off for the highway

My Spirit wants to follow

its winding path

through tropical growth

those 59 miles to Puerto Barrios

 

In that port town, I spoke with the station chief. He was confident service would return.

That was before Hurricane Mitch hit in October 1998.

 

= = = = = = =

 

Again I begin planning another trip. I will give one last try at taking a train in Guatemala. In July 2002, I researched the internet. The new concessionaire is called Ferrovías Guatemala. Yes, it is running cargo trains from Guatemala City to Puerto Barrios. It has plans to get the line toward the Mexican border going again. Passenger service, however, is limited to only a high-class, expensive tourist train in Februaries.

Well, in my experience, where there are cargo trains, there is also clandestine passenger service. I will go in person and see if somehow I can ride with el pueblo—if, indeed, el pueblo can still ride the rails.

 

May 2003

I arrive in Quetzaltenango. For several weeks I try calling the telephone numbers for Ferrovías Guatemala I got from a website. No matter what time of day I call, one line is busy. At the other number, I receive a recorded message: The person you are calling is not available. Please hang up and try your call later.

In street gutters, I find spent phone cards with old-time photographs of Ferrocarriles de Guatemala. Card one of the series of six shows a steam locomotive. Card four, a woman waits next to a car in the station, a wicker suitcase at her side. On card six, a woman stands in the doorway of a back vestibule. The reverse of each tarjeta tells a bit of the history of this country’s railroad.

In an internet café, I see a large map of Guatemala. I stand there, on tiptoe, fighting the glare of glass, compiling a list of towns along that silver rail:

GUATEMALA CITY—San José del Golfo—Sanarate—Guastatoya—El Jícaro—San Cristóbal Acasaguatlán—Cabañas—Usumatlán—Zacapa—La Pepesca—Gualán—Natalia—La Libertad—Morales—La Ruidosa—Navajos—Cayuga—Picuatz—Tenedores—Veracruz—Entre Ríos—Piteros—PUERTO BARRIOS

Still, almost every day, at all hours, I call those numbers for Ferrovías Guatemala. The line is busy. The recording: The person you are calling is not available….

I also phone FEGUA. A woman tells me, “No, FEGUA has no cargo nor passenger service. When will there be regular passenger trains? I don’t know. Perhaps next year. Ferrovías Guatemala? Perhaps they do.”

I finally lay my game plan: The road from Cobán meets up with the Atlantic Highway at El Rancho, between Guastatoya and El Jícaro. To bypass the madness of Guatemala City, I will travel through the Cuchamatanes Mountains to Cobán and come down to El Rancho.

 

16 June 2003

From El Rancho

I search across these drylands

greened with scrubbrush

South of this highway

upon which I travel

Hoping to catch some sight of those

silver rails I so need

to ride to complete

this book

No      still five years later

passenger service has

not resumed

But cargo has

from Guatemala City

to Puerto Barrios

A hope, a wish

… perhaps in vain …

& so to Zacapa I go

a town on that rail line

With my pockets full of

hope       full of wishes

 

We are at Jícaro now—a town that map showed to be on the route. But I’ve yet to see the tracks. San Cristóbal Acasaguatlán, another town. Through the spaces, the vistas, between trees, bluffs, homes—no glint, no cut of rails. No bridge spanning that river. (I know the line swings quite south of the road for a while. Is this search in vain? I keep checking my list of towns along the way. Perhaps the tracks are on the other side of yonder río. (Is that the Motagua?) Usumatlán—three kilometers from the highway, the sign says. Perhaps this is a bit in vain—and I can’t hope to see it until we turn off this highway. The next town is Zacapa.

If this effort fails, I’ll try further up the line. I will keep hope until the end—if my courage to ask for a ride holds out.

I continue to peer across those lands. Three kilometers. Would that be at the foot of those now-mountains?

Part of my mind begins to argue: This is crazy. All you know is, there are cargo trains running. You have no idea how often. Yes, perhaps every day or two. Or perhaps once a week. Perhaps once a month.

Hope, hope—a wish and a prayer, another part of my mind responds.

I know the train exists, that it is once more being used. Wherever I’ve been in Latin America, freighters have taken passengers—clandestinely. Could this country be any different?

We are now at the turn-off for Zacapa, Río Hondo. Deep River—my river of hope runs deep. Let it not be dammed by discouragement, disillusionment or fear.

Yes, I’m mad, I tell that other part of my mind that continues to rant. I’m a Doña Quixote, with my faithful compañera Rocinante. Yes, I’m tilting at windmills in hopes that somehow, somehow this book will raise a call for the return of passenger services.

As soon as I write these words, we enter Zacapa. We pass a small plaza with a brick windmill—and Sancho Panza with Don Quixote.

My guidebook says there are inexpensive places to stay near the train station. That would put me just where I want to be—close enough to it should the opportunity arise to take a ride.

I stop into a shop to buy a juice—and to ask where the station is. The woman tells me, “No, it’s not safe there. There’s lots of robo.” Her right hand grasps at the air.

When I explain my quest, she walks from behind the counter. “No, during the day it is safe—even for a woman alone. At night it’s different.” She encourages me, “No, go there first and see. If not, you can return to the market area for a cheap place to stay—15 quetzales.”

I hop a combi. We pass the church and the being-renovated central plaza. Down streets, past stores and workshops, to the south edge of town. Soon I see the railyards with rotting wooden cars. On a nearer track a deep-blue and yellow engine faces the direction of Guatemala City. Attached to it are several container cars with the names of northern companies. Near the gate stands an armed guard, hands on rifle.

The stone station is marred by gang tagging. The orange, press-wood eave tiles sag in the humid heat. Some are missing, some have holes punched into them. A dulled plaque commemorates the first anniversary of the “gift” of the railroad from the International Railroad Company of Central America (aka United Fruit) to the Guatemalan government, in 1968. Deeply engraved on the front eave is FEGUA. But above the old ticket window is a new sign: FERROVÍAS GUATEMALA. The company whose one phone number was always busy, and the other number, “The person you are calling is not available. Please hang up and try your call later.”

Across the street is the ramshackle of an old, two-story turquoise building. The bottom half is adobe or concrete; the top half, wood. The empty windows stare at the station. Above the doors off the balcony one can still see the former room numbers. Without a doubt, this was one of the inexpensive hospedajes.

I check out the only hotel still operating, Posada de las Molina (the final “s” missing), Inn of the Mills. From the outside, it looks nice. An older woman sits in a screened porch in the plant-filled courtyard. She informs me it will costs 50 quetzales for the entire night. So this is where the lovers tryst, the women work their nights. Away from the center of town, away from the spying eyes of neighbors.

I return to the station and set my pack down on a tree planter. I call to the guard, “Is the station chief in?”

“What is your business?”

I introduce myself and explain my quest. He disappears around the corner and within seconds reappears. “You can come in and take photos if you like.”

“No, I don’t have a camera. My poems and stories are my photos to show people the journeys.”

He urges me to enter with my pack and points to a group of men talking on the back platform. “He’s over there.”

“The one in the red ballcap?” I refer to the older man.

“No, el joven.”

I walk up to the one who looks perhaps in his mid-thirties, tall and slim with short dark hair. Once more the introduction, the explanation—and then the question. “Do freight trains here, as in other countries, ever take passengers?”

No. But, yes, he could grant me an interview. He invites me into his stark, grey-metal-furnished office. An old wooden station clock on the wall is stopped at 8:25.

Douglas Aldana, the jefe de patio in Zacapa, spends the next hour or so talking with me about the new company, its fifty-year contract, and the challenges of bringing the trains back online. Getting the right-of-way clearance five years ago “took quite a bit of doing.” Hurricane Mitch has set them back. Cargo service is provided once more between Guatemala City and Puerto Barrios. Next will be the stretch to Tecún Umán. Yes, passenger service is in the master plans, but he has no idea what type of service it will be. I can probably get the information in Guatemala City.

Several times the phone rings. He lets his assistant answer the calls. The second time our conversation is interrupted. While he is gone, I study the list of stations he has photocopied for me—the altitude and milepost of each stop. When he returns, I say it must have been quite a ride, almost like a rollercoaster. Aldana’s eyes brighten, “Oh, yeh, it was quite a beautiful passage.” He suggests that if I go to Guatemala City, I could probably get special permission to ride on a cargo train.

When he was a kid, he never thought he would work for the railroad—though his father was a brequero (brakeman) and he had uncles on both sides that worked for it. “Ah, so you’re carrying on the family tradition.” “,” he responds with a light laugh.

We go out onto the back platform. As I grab my Rocinante, I ask, “Where was the old waiting room?”

He leads me to the patio where I had first entered. “This was it.”

“Well, the benches are here. So there’s hope.” I shift the weight of my pack. “I have been waiting seven years to take a train here, without luck—and unfortunately I can’t wait another seven. But in fifty years, ay, perhaps there will be a train. We’ll both be retired. I’ll see you and say, Hey, Señor Aldana, let’s go for a ride to Puerto Barrios.”

He smiles and laughs.

“For me, train journeys are a good way to know a country,” I continue.

“Why’s that?”

“Because you have not only the vistas, and you are traveling slow enough to really see them, but—more importantly—you also have the community inside the train. And there are always three things that are the same with all journeys, no matter where.”

“Yes?”

“The whole human world has to stop for the passage of the train. The children wave. Dogs bark.”

“And it doesn’t matter where,” he says, looking thoughtful.

I glance over the railyards one last time. “In other places I’ve noticed people living in the old boxcars.”

“No, not here. We helped them find other places to stay. Plus that’s why we have an armed guard.” He motions towards the man who had let me in.

 

I flag down the first combi returning to town and watch the railyards disappear as we turn our back on them.

After dinner I resume my study of the list of stations, and my possible course of action. Of all the towns, the guidebook solely mentions Quiriguá. There is lodging there. Only five names appear in bold-faced, capital letters: Guatemala City, Rancho, Zacapa, Gualán and Puerto Barrios. What does it mean? The only staffed stations?  (Then no use in going to Quiriguá.) Stations with workshops? (But Aldana said the only one was in Guatemala City.)

Damn, why didn’t I notice this before and ask him?

I have no idea where Gualán is, if it is accessible by road, if I could find a place to stay. All I know is that it is 21.9 miles, eight stops from here. Thirteen stops, 23 miles beyond, would be the next hope, Quiriguá—whose name sits on this page in front of me in plain type.

The next bold-faced, capital-letter station is Puerto Barrios. The end of the line.

I believe I have reached my last hope. Perhaps it is time to stow the lance and shield in the attic, put the horse out to pasture, and tell Sancho to go home to his wife and kids.

What would Don Quixote do in this case?

Wait fifty years, find Señor Aldana and say, “Well, shall we take a ride to Puerto Barrios?”

What should this Doña Quixote do?

It’s now nearing midnight. I’ve been reviewing my notes and realizing questions I’d forgotten, clarifications I need, points perhaps for this story. I’ve now a list of queries, in case I decide to return to the station come morning. If Aldana is willing to spend a bit more time with me. And I kick Doña Quixote out of the bed, who keeps repeating, “Perhaps, upon sleeping on it, he will have a change of heart.”

Just as I’m turning in, I hear a locomotive blast that lasts a minute. Then the rumble of freight cars in the distance.

 

About ten a.m. I arrive once more at the station. I can see Señor Aldana out on the back platform talking with some men in a pick-up truck. They begin unloading tools and parts. Finally he notices me standing by the former ticket window. He approaches. After we exchange the customary pleasantries, I ask if he might have a few minutes.

“We’re having problems with one of the locomotives. But if it’s only a few minutes, sure.” We enter his office.

My hunch about the bold-faced, capital-letter towns on the list is correct: the only staffed stations. Bananera is another, though it isn’t marked as such. The frequency is not a set schedule; only when necessary. As for the number of cars—the trains aren’t as long as in Mexico and other places, as the terrain won’t permit it.

We discuss the geography of the line. Aldana draws a map on the backside of the station list, showing its relation to the mountains, to the Río Motagua and the highway.

He suggests the best way to keep updated on when passenger service resumes is to e-mail or write the parent company, the Railroad Development Corporation of Pittsburgh, Pennsylvania. It probably has a website.

Did a cargo train pass through last night? Yes, about 12:30 a.m.

 

As I leave Zacapa, traveling east on the highway, I keep an eye out for the glint of silver rails. I get off the bus at La Trinchera. Far across a field, I see a deep-blue and yellow locomotive.

I have called off the search for a train ride here. It would violate a basic principle of this book: to ride with the people. If, in this country, el pueblo isn’t allowed to ride the freight trains, then there isn’t a train for me to take. For me to ask special permission would make me an elite. It would be no better than taking a tourist train.

And I am sure Mr. Posner and his Railroad Development Corporation will continue for the next 44 years to tell the people and the government that passenger service “is in the master plans.” But as I have seen in many countries, when such service is put in the hands of private corporations, it disappears. No, it’s not important that it provides a safe, energy-efficient way to travel. Not important that it creates many jobs: the official workers within the train—as well as the ad-hoc vendors along the way, giving people in these impoverished communities some way to feed their families. Not important that it can provide a mode of transportation the poor can afford to take. The only thing that is important is, Does it make a profit?

We’d seen it happen in the US, Mexico.

And only when the government steps in, can the people be guaranteed this option of traveling.

Perhaps someday I can return to Zacapa and say, “Hey, Señor Aldana, let’s go for a ride to Puerto Barrios.”

 

story © 2004 Lorraine Caputo

 

REPRISE:

More than a decade later, are there passenger trains in Guatemala?

Still ideas float about to bring back passengers trains in Guatemala, from Tecún Umán on the Mexican border in the west to Puerto Barrios on the Caribbean coast. The latest plan was to be presented in early 2017 – but it appears this, too, has come to naught.

In the interim, you can visit the Museo de Ferrocarril in Guatemala City. This railroad museum opened in 2004 in the old train station in the capital city.

It would appear that I shall continue to be Doña Quixote.

 


 

About this Project

For three decades, I have searched for and taken passenger trains from Alaska to the Patagonia. To date, I have ridden over 100 trains – always local trains, no tourist ones – in almost all of the countries of the Americas. From these experiences, I have been composing a collection of poems and stories of the adventures.

 

 

NEW PUBLICATIONS : Poetic and Travel

It is time for our bimonthly roundup of my poetry and travel writing which continue to appear in journals and on websites around the world. Today, we travel to various corners of Latin America, including Mexico, Chile and Ecuador’s enchanting Galápagos Islands.

Spend the afternoon browsing through the list (with links) below …. and stay tuned for more poetic and narrative journeys coming up later this month!

Until we next meet …..

Safe Journeys!

 

The Daphnes and other Galapagos Islands from on high. Capture the magic of flying from the Andes to coast, to the Enchanted Isles with my poem “Journey of Changes.” photo © Lorraine Caputo

 

NEW LITERARY EXPRESSIONS

“Isla Negra” in Blue Fifth Review (Spring Quarterly, June 2017)

“Trickster Songs” and “Canyon Winds” in Mojave River Review (May 2017)

“Journey of Changes” in Topology Magazine (May 2017), theme: Borders & Boundaries

 

Sunflower seastar (Pycnopodia) in a tidal pool. Playa Orgánica, Isla Isabela, Galápagos. photo © Lorraine Caputo

 

NEW TRAVEL EXPRESSIONS

            Insider’s Galapagos / Galapagos Travel Planner

Galapagos Islands’ Best Snorkeling Sites – No Cruise Required

Galapagos Islands’ Best Snorkeling Sites – Western Islands

New Galapagos  Entry Requirements

Galapagos Islands’ Best Snorkeling Sites – Eastern and Central Islands

Snorkeling in the Galapagos Islands

9 Galapagos Islands Day Cruises

 

 

NEW PUBLICATIONS : Poetic and Travel

NEW PUBLICATIONS : Poetic and Travel

It is time for our bimonthly roundup of my poetry and travel writing continuing to appear in journals and on websites around the world. Today, we travel to various corners of Latin America, including Argentina, Chile, Ecuador and the Galápagos Islands.

Spend the afternoon browsing through the list (with links) below …. and stay tuned for more poetic and narrative journeys coming up later this month!

Until we next meet …..

Safe Journeys!

The latest edition of DoveTales – focused on Refugees and the Displaced – includes three of my poems.

NEW LITERARY EXPRESSIONS

“Quake,” “Salto Bosetti” and “Two Petals” in River Poets Journal (April 2017)

“A Thousand Miles,” “Dance for a New Year” and “In Exile” in DoveTales (2017), theme: Refugees and the Displaced

 

Sunset. Puerto Villamil, Isla Isabela, Galápagos photo © Lorraine Caputo

 

NEW TRAVEL EXPRESSIONS

Andes Transit

Tips for Safe and Comfortable Bus Journeys

 

Insider’s Galapagos / Galapagos Travel Planner

3 Tips for Multi-Generational Galapagos Islands Vacations

Going Solo in the Galapagos Islands

The Best Time to Take a Galapagos Vacation

5 Reasons to Visit Galapagos in 2017

Galapagos Islands: What Happens in April

Welcome Home, Lonesome George!